A collection of twenty-six definitive science fiction tales includes a diverse range of pieces selected by the writers themselves and provides an introduction to young and new readers as well as a fan's treasury of key short works. Reprint. 15,000 first printing.
An overview of the best science fiction short stories of the 20th century as selected and evaluated by critically-acclaimed author Orson Scott Card. Featuring stories from the genre's greatest authors: Isaac Asimov, Arthur C. Clarke, Robert A. Heinlein, Ursula K. Le Guin, Ray Bradbury, Frederik Pohl, Harlan Ellison, George Alec Effinger, Brian W. Aldiss, William Gibson & Michael Swanwick, Theodore Sturgeon, Larry Niven, Robert Silverberg, Harry Turtledove, James Blish, George R. R. Martin, James Patrick Kelly, Karen Joy Fowler, Lloyd Biggle, Jr., Terry Bisson, Poul Anderson, John Kessel, R.A. Lafferty, C.J. Cherryh, Lisa Goldstein, and Edmond Hamilton
In 1972, Robert Silverberg, even then an acknowledged leader in the science fiction field, published a book that was immediately hailed as a masterpiece. More than three decades later, Dying Inside has stood the test of time and has been recognized as one of the finest novels the field has ever produced. Never wasting a word, Silverberg persuasively shows us what it would be like to read minds, painting an unforgettable portrait of a man shaped by that unique power; a power he is now inexorably losing. Acclaimed upon first publication by SF critics and mainstream reviewers alike, Dying Inside is overdue for reintroduction to today's SF audience. This is a novel for everyone who appreciates deeply affecting characterization, imaginative power, and the irreplaceable perspective unique to speculative fiction of the highest order. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Philip E. Auerswald
Publisher: Oxford University Press
Release Date: 2017-02-22
Code is the "how" of human productive activity. The creation, implementation, and refinement of code have been the infrastructure of human progress from Neolithic simplicity to modern complexity. In a sweeping narrative that takes readers from the production of Stone Age axes to the invention of chocolate chip cookies, Philip Auerswald argues that the key driver of human history is the advance of code. At each major stage in the advance of code over the span of centuries, shifts in the structure of society have challenged human beings to reinvent not only how we work, but who we are. We are at one of those stages now. Auerswald offers an indispensible guide to the future, based on a narrative stretching forty-thousand years into the past. The code economy has clearly not developed in a vacuum. Invention, innovation, and the pursuit of happiness have characterized human activities for centuries. What is changing is how societies and individuals radically value endeavors in life differently from even a decade ago, most notably away from industries organized as "command and control" systems. Philip Auerswald investigates how economists themselves have been hard pressed to gauge new economic indices of satisfaction that go beyond traditional measures. He explores how the code or "shared" economy reaches into domains such as health, where greater longevity, the popularization of medical knowledge, and the emphases on preventive care and wellness will complement the delivery of medical services. Further, living in the code economy will prompt people to orient their children's futures to more self-reliant pursuits and seek investments that truly serve them and not the institutions that have traditionally dominated the financial and economic worlds.
Quite possibly the greatest science fiction collection of all time--past, present, and future! What if life was neverending? What if you could change your body to adapt to an alien ecology? What if the pope were a robot? Spanning galaxies and millennia, this must-have anthology showcases classic contributions from H. G. Wells, Arthur C. Clarke, Octavia E. Butler, and Kurt Vonnegut, alongside a century of the eccentrics, rebels, and visionaries who have inspired generations of readers. Within its pages, you'll find beloved worlds of space opera, hard SF, cyberpunk, the New Wave, and more. Learn about the secret history of science fiction, from titans of literature who also wrote SF to less well-known authors from more than twenty-five countries, some never before translated into English. In The Big Book of Science Fiction, literary power couple Ann and Jeff VanderMeer transport readers from Mars to Mechanopolis, planet Earth to parts unknown. Immerse yourself in the genre that predicted electric cars, space tourism, and smartphones. Sit back, buckle up, and dial in the coordinates, as this stellar anthology has got worlds within worlds. Including: · Legendary tales from Isaac Asimov and Ursula K. Le Guin · An unearthed sci-fi story from W. E. B. Du Bois · The first publication of the work of cybernetic visionary David R. Bunch in twenty years · A rare and brilliant novella by Chinese international sensation Cixin Liu Plus: · Aliens! · Space battles! · Robots! · Technology gone wrong! · Technology gone right!
Author: Michael D'Orso
Publisher: Bloomsbury Publishing USA
Release Date: 2008-12-13
Genre: Sports & Recreation
Eagle Blue follows the Fort Yukon Eagles, winners of six regional championships in a row, through the course of an entire 28-game season, from their first day of practice in late November to the Alaska State Championship Tournament in March. With insight, frankness, and compassion, Michael D'Orso climbs into the lives of these fourteen boys, their families, and their coach, shadowing them through an Arctic winter of fifty-below-zero temperatures and near-round-the-clock darkness as the Eagles criss-cross Alaska in pursuit of their-and their village's-dream.
Author: Arthur C. Clarke
Publisher: Hachette UK
Release Date: 2009-07-09
Two of the biggest names in SF together again, with the third of the acclaimed Time's Odyssey sequence With this epic tale of altered histories and different earths, a universe where Alexander's empire prompted a different past, a world where strange alien 'eyes' gaze upon a fractured reality, a time when man is looking to colonise the red planet, Arthur C. Clarke and Stephen Baxter scale new heights of ambition and sheer story telling brio. This is classic SF adventure from two of the biggest names in the genre. A heady combination of high concept SF, big engineering projects and human drama.
Author: Robert McParland
Release Date: 2017-10-13
As technology advances, society retains its mythical roots—a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid–1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Öyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.
Author: Steven Hrotic
Publisher: A&C Black
Release Date: 2014-07-31
Religion in Science Fiction investigates the history of the representations of religion in science fiction literature. Space travel, futuristic societies, and non-human cultures are traditional themes in science fiction. Speculating on the societal impacts of as-yet-undiscovered technologies is, after all, one of the distinguishing characteristics of science fiction literature. A more surprising theme may be a parallel exploration of religion: its institutional nature, social functions, and the tensions between religious and scientific worldviews. Steven Hrotic investigates the representations of religion in 19th century proto-science fiction, and genre science fiction from the 1920s through the end of the century. Taken together, he argues that these stories tell an overarching story-a 'metanarrative'-of an evolving respect for religion, paralleling a decline in the belief that science will lead us to an ideal (and religion-free) future. Science fiction's metanarrative represents more than simply a shift in popular perceptions of religion: it also serves as a model for cognitive anthropology, providing new insights into how groups and identities form in a globalized world, and into how crucial a role narratives may play. Ironically, this same perspective suggests that science fiction, as it was in the 20th century, may no longer exist.
Author: Keith Brooke
Publisher: Macmillan International Higher Education
Release Date: 2012-02-17
Genre: Literary Criticism
Strange Divisions and Alien Territories explores the sub-genres of science fiction from the perspectives of a range of top SF authors. Combining a critical viewpoint with the exploration of the challenges and opportunities facing authors working in the field, contributors include Michael Swanwick, Catherine Asaro and Paul di Filippo.
Author: Colin Milburn
Publisher: Duke University Press
Release Date: 2010-07-01
The dawning era of nanotechnology promises to transform life as we know it. Visionary scientists are engineering materials and devices at the molecular scale that will forever alter the way we think about our technologies, our societies, our bodies, and even reality itself. Colin Milburn argues that the rise of nanotechnology involves a way of seeing that he calls “nanovision.” Trekking across the technoscapes and the dreamscapes of nanotechnology, he elaborates a theory of nanovision, demonstrating that nanotechnology has depended throughout its history on a symbiotic relationship with science fiction. Nanotechnology’s scientific theories, laboratory instruments, and research programs are inextricable from speculative visions, hyperbolic rhetoric, and fictional narratives. Milburn illuminates the practices of nanotechnology by examining an enormous range of cultural artifacts, including scientific research articles, engineering textbooks, laboratory images, popular science writings, novels, comic books, and blockbuster films. In so doing, he reveals connections between the technologies of visualization that have helped inaugurate nano research, such as the scanning tunneling microscope, and the prescient writings of Robert A. Heinlein, James Blish, and Theodore Sturgeon. He delves into fictive and scientific representations of “gray goo,” the nightmare scenario in which autonomous nanobots rise up in rebellion and wreak havoc on the world. He shows that nanoscience and “splatterpunk” novels share a violent aesthetic of disintegration: the biological body is breached and torn asunder only to be refabricated as an assemblage of self-organizing machines. Whether in high-tech laboratories or science fiction stories, nanovision deconstructs the human subject and galvanizes the invention of a posthuman future.
Author: Aaron J. Barlow
Release Date: 2012
Genre: Business & Economics
This book looks at questions and answers pertaining to the organization, usage, and ownership of information in the Internet age—and the impact of shifting attitudes towards information ownership on creative endeavors.