Author: Rebecca Stone
Release Date: 2012
This wide-ranging survey, now established as the best single-volume introduction to Andean art and architecture on the market today, describes the strikingly varied artistic achievements of the Chavín, Paracas, Moche, Nasca, Chimú and Inca cultures, among others. For this fully revised third edition, Rebecca Stone has rewritten and expanded the text throughout, touching on many of the recent discoveries and advances in the field. These include new work on the huge stone pyramids and other structures at Caral; continued excavations of Inca child sacrifices perched on mountaintops throughout the empire, with their perfectly preserved clothing and miniature offerings of metal, ceramics and shell; spectacular murals and the remarkable burial of a tattooed female warrior-leader at the Moche site of Huaca Cao Viejo; and many new finds of high-status textiles, along with fresh analyses of weaving technology and new interpretations of designs and motifs.
Author: Barbara Mauldin
Release Date: 2011
With over four hundred color photographs, this book presents an overview of the religious, textile, costume, utilitarian, and festival folk arts made after the Andeans were free from Spanish colonial rule.
Author: Mary Strong
Publisher: University of Texas Press
Release Date: 2012-05-01
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.
Author: Dawn Ades
Publisher: Yale University Press
Release Date: 1989
This authoritative and beautiful book presents the first continuous narrative history of Latin American art from the years of the Independence movements in the 1820s up to the present day. Exploring both the indigenous roots and the colonial and post-colonial experiences of the various countries, the book investigates fascinating though little-known aspects of nineteenth and twentieth-century art and also provides a context for the contemporary art of the continent.
Looks at thirty textiles from the Andes housed in the British Museum, describing their historical, cultural, and environmental significance and their role in political and religious beliefs of the ancient civilization.
Author: Mary Ellen Miller
Release Date: 2014
Presents a survey of Mayan art and architecture, focusing on the classical period from 100 B.C. to 909 A.D., covering tombs, palaces, temples, and shrines, and including such art forms as ceramics, sculptures, stone reliefs, and paintings.
The Ancient Central Andes presents a general overview of the prehistoric peoples and cultures of the Central Andes, the region now encompassing most of Peru and significant parts of Ecuador, Bolivia, northern Chile, and northwestern Argentina. The book contextualizes past and modern scholarship and provides a balanced view of current research. Two opening chapters present the intellectual, political, and practical background and history of research in the Central Andes and the spatial, temporal, and formal dimensions of the study of its past. Chapters then proceed in chronological order from remote antiquity to the Spanish Conquest. A number of important themes run through the book, including: the tension between those scholars who wish to study Peruvian antiquity on a comparative basis and those who take historicist approaches; the concept of "Lo Andino," commonly used by many specialists that assumes long-term, unchanging patterns of culture some of which are claimed to persist to the present; and culture change related to severe environmental events. Consensus opinions on interpretations are highlighted as are disputes among scholars regarding interpretations of the past. The Ancient Central Andes provides an up-to-date, objective survey of the archaeology of the Central Andes that is much needed. Students and interested readers will benefit greatly from this introduction to a key period in South America’s past.
Author: David W. Penney
Publisher: London : Thames & Hudson
Release Date: 2004
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
A lively account of the interaction between European and indigenous artisthat took place during more than 300 years of Spanish and Portuguese colonialnfluence in Latin America (c. 1492-1820). The book offers a fascinatingnsight into viceregal, missionary and civic architecture, as well asainting, sculpture and such 'minor arts' as furniture, textiles and ceramics.his is a long-awaited book on an increasingly popular subject and includesany previously unillustrated works. For over three hundred years, from thera of Christopher Columbus to the struggles for independence around 1820,atin America witnessed an artistic flowering of enormous creativity andriginality. In a unique way, the art and architecture of Aztec, Inca anduarani civilizations blended with those of Europe, North Africa and the Farast. In particular, the Spanish and Portuguese empires in Central and Southmerica created the climate for a flourishing, diverse and distinct versionf Renaissance and Baroque culture, produced under utterly different socialnd geographic conditions from those found in Europe.;The products of this
Author: Susan E. Bergh
Release Date: 2012
"Eminent ancestors of the better-known Inca, the Wari ascended to power in the south-central highlands of Peru in about AD 600, underwent a period of explosive growth, and then, by AD 1000, collapsed. During this lifespan, they created a society of such unprecedented complexity that many today regard it as the first empire in the Andes. Elite arts and the ideologies that informed them were among the culture's most prominent exports. From their eponymous capital, one of the largest archaeological sites inSouth America, the Wari sent elaborate objects and textiles to their highland provincial centers as well as down into populous Pacific coastal areas to the west. The arts were crucial to their political, economic, and religious systems. Since the Wari did not write, the arts took on special roles in preserving and communicating information. This book is published on the occasion of an exhibition organized by the Cleveland Museum of Art that features some 170 objects from collections in Canada, Europe, Peru, and the United States. The selection covers the full range of Wari elite arts: elaborate textiles, which probably were at the core of Wari value systems; sophisticated ceramics of various styles; exquisite personal ornaments made of precious materials; carved wood containers; and works in stone and other media. The exhibition, the first in North America devoted to the arts of the Wari, was curated and the cataloged edited by Susan E. Bergh, curator of Pre-Columbian and Native North American art at theCleveland Museum of Art."--P.  of cover.
Author: David Jones
Publisher: Lorenz Books
Release Date: 2010
This fascinating visual history tells the story of the ancient peoples of Peru and the Andes. Split into two sections, the first part of the book focuses on how these communities functioned, and day-to-day life for ordinary people at work and home. The second part tells the story of the arts and architecture.
Author: Elena Phipps
Publisher: Metropolitan Museum of Art
Release Date: 2004-01-01
Genre: Indian silverwork
The arrival of the Spanish in South America in 1532 permanently transformed the Andean cultural landscape. Within a generation, societies that had developed over thousands of years, including the great Inca Empire, had been irrevocably altered. The arts from the Spanish colonial period--those that drew on native traditions, such as textiles, silver, woodwork, and stonework, as well as painting, sculpture, and other genres introduced by the Spanish--preserve an unspoken dialogue that developed between Andean and European modes of expression.This beautiful book presents silver objects, textiles, and other masterpieces of colonial Andean culture. Essays discuss the artistry of this culture and explain how it has been recently reevaluated and celebrated for its vibrant energy reflecting the convergence of two essentially distinct cultural traditions. This book accompanies an exhibition at The Metropolitan Museum of Art (September 29 to December 12, 2004).Elena Phipps is conservator, Textile Conservation, and Johanna Hecht is associate curator, European Sculpture and Decorative Arts, at The Metropolitan Museum of Art.